India is a country of endless fascination, so it was a pleasure to find it captured so beautifully by director/cinematographer Santosh Sivan in this exquisitely photographed movie. Unfortunately, the same cannot be said for the slightly soap opera tinged storyline and under developed characters who appear to be little more than stand-ins for the symbolism of white British subjugation in southern India during the 1930s. Linus Roache stars as Henry Moores, a British spice baron whose latest project is building a road through mountainous territory with the assistance of the local tribes. Henry's loyal and devoted Indian partner in this endeavor, the ill fated T.K. (played by Rahul Bose) straddles the two worlds of his own native customs and those of his white employer. Complicating the lives of both men is Henry's illicit affair with his Indian housekeeper, Sajani (the lovely Nandita Das) which risks the very lives of all involved (including T.K. who must keep the secret). When two local boys spot the lovers everything falls apart with tragic consequences.
Billed as a "Merchant Ivory" production, there's an authentic period feel and look to the movie that is reminiscent of that great Merchant Ivory tradition, but the romance between Henry and Sajani is given short shrift here without the benefit of establishing any real history or detail about their relationship. Sivan does a good job of presenting the cultural divide and keeps his characters true to themselves. Linus Roache, a good actor, does what he can with the role of Henry, but the character is somewhat of a cipher and didn't generate much sympathy or interest for me. Jennifer Ehle and Leopold Benedict are effective as Henry's visiting wife and son, although they too aren't very well developed in the story. T.K. is perhaps the best written character with his growing desperation to balance two incompatible cultures while witnessing the worst of both. Still, there was something missing for me, although I can't define just what.
Things to love about this movie: Exquisite scenes of India (filmed in Kerala); a beautiful rendezvous between Henry and Sajani by a waterfall; Sajani's explanation to Henry's son about the souls of those who die being transferred to dragonflies; Henry's gorgeous home; the wonderful faces of the Indian actors who have been perfectly cast by the director
Things to hate about this movie: A strangely indefinable lack of passion; a less than satisfying ending
Pleasant surprises: A tribal council trial that somehow works to give the audience insight into the local customs; a great elephant who actually works alongside the locals to help build the road
Unpleasant surprises: Henry's character is too cold to arouse much sympathy for his plight; not enough screen time devoted to the tragic Sajani
Sunday, May 25, 2008
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